Résumés
Abstract
With the real artificiality, the true "falseness," of his images, Matthieu Brouillard eloquently captures the imagination while deflecting the spectator's regard toward what must be called a reflection on the very essence of photography. His large photos seem to combine what is held out as realistic reporting with a playful staging that refutes this evidence by producing at the same time a "play within a play" of photography and its history.
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