Parutions récentes Recently Published

ACKERMAN, Alan, Seeing Things. From Shakespeare to Pixar, Toronto, University of Toronto Press, 2011, 192 p.

ALVAREZ DE TOLEDO, Sandra (dir.), Ritwik Ghatak. Des films du Bengale, Paris, L’Arachnéen, 2011, 416 p.

ANDRÉ, Emmanuelle, Le choc du sujet. De l’hystérie au cinéma (xix^e-xxi^e siècle), Rennes, Presses universitaires de Rennes, 2011, 206 p.

AUERBACH, Jonathan, Dark Borders. Film Noir and American Citizenship, Durham, Duke University Press, 2011, 280 p.

BANDA, Daniel et José MOURE (dir.), Le cinéma, l’art d’une civilisation, 1920-1960, Paris, Flammarion, 2011, 488 p.

BENNETT, James et Niki STRANGE (dir.), Television as Digital Media, Durham, Duke University Press, 2011, 400 p.

CHAMBRUN, Noëlle de (dir.), Masculinité à Hollywood. De Marlon Brando à Will Smith, Paris, L’Harmattan, 2011, 222 p.

CHIVERS, Sally, The Silvering Screen. Old Age and Disability in Cinema, Toronto, University of Toronto Press, 2011, 240 p.

DÉOTTE, Jean-Louis (dir.), Philosophie et cinéma, Paris, L’Harmattan, 2011, 250 p.

DUFOUR, Éric, Le cinéma de science-fiction. Histoire et philosophie, Paris, Armand Colin, 2011, 272 p.

ELLIS, John, Documentary. Witness and Self-Revelation, London/New York, Routledge, 2011, 184 p.

ESQUENAZI, Jean-Pierre, Vertigo, Paris, CNRS, 2011, 352 p.

FEIGELSON, Kristian, La fabrique filmique. Métiers et professions, Paris, Armand Colin, 2011, 256 p.

FENNER, Angelica, Race Under Reconstruction in German Cinema. Robert Stemmle’s Toxi, Toronto, University of Toronto Press, 2011, 288 p.

GILLIS, Stacy et Joanne HOLLOWS (dir.), Feminism, Domesticity and Popular Culture, London/New York, Routledge, 2011, 176 p.

GOLDMARK, Daniel et Charlie KEIL (dir.), Funny Pictures. Animation and Comedy in Studio-Era Hollywood, Berkeley, University of California Press, 2011, 344 p.

GUYOT, Jacques et Thierry ROLLAND, Les archives audiovisuelles. Histoire, culture, politique, Paris, Armand Colin, 2011, 192 p.

HELLER, Dana, Hairspray, Hoboken (N.J.), Wiley-Blackwell, 2011, 176 p.

HUHTAMO, Erkki et Jussi PARIKKA (dir.), Media Archaeology. Approaches, Applications, and Implications, Berkeley, University of California Press, 2011, 368 p.

JOURNOT, Marie-Thérèse, Films amateurs dans le cinéma de fiction, Paris, Armand Colin, 2011, 192 p.

LACASSE, Germain, Vincent BOUCHARD et Gwenn SCHEPPLER (dir.), Pratiques orales du cinéma. Textes choisis, Paris, L’Harmattan, 2011, 268 p.

MACCABE, Colin et Laura MULVEY (dir.), Godard’s Contempt. Essays From The London Consortium, Hoboken (N.J.), Wiley-Blackwell, 2011, 144 p.

MALIGNE, Thierry (dir.), Filmer le jazz, Bordeaux, Presses universitaires de Bordeaux, 2011, 270 p.

MARTIN, Jessie, Vertige de la description. L’analyse de films en question, Udine/Lyon, Forum/Aleas, 2011, 268 p.

McEWAN, Paul, Bruce McDonald’s Hard Core Logo, Toronto, University of Toronto Press, 2011, 144 p.

MEJEAN, Jean-Max, Almodovar. Les femmes et les chansons, Paris, L’Harmattan, 2011, 96 p.

MESNILDOT, Stéphane du, Fantômes du cinéma japonais. Les métamorphoses de Sadako, Pertuis, Rouge Profond, 2011, 224 p.

MURRAY, Simone, The Adaptation Industry. The Cultural Economy of Contemporary Literary Adaptation, London/New York, Routledge, 2011, 256 p.

PIPPIN, Robert B., Hollywood Westerns and American Myth. The Importance of Howard Hawks and John Ford for Political Philosophy, New Haven/London, Yale University Press, 208 p.

RUÉTALO, Victoria et Dolores TIERNEY (dir.), Latsploitation, Exploitation Cinemas, and Latin America, London/New York, Routledge, 2011, 328 p.

SERRUT, Louis-Albert, Jean-Luc Godard. Cinéaste acousticien, Paris, L’Harmattan, 2011, 510 p.

TELOTTE, Jay et Gerald DUCHOVNAY (dir.), Science Fiction Film and Television. Adaptation Across the Screens, London/New York, Routledge, 2011, 212 p.

VANCHERI, Luc, Les pensées figurales de l’image, Paris, Armand Colin, 2011, 224 p.

VANOYE, Francis, L’adaptation littéraire au cinéma, Paris, Armand Colin, 2011, 192 p.